About
As both a forum open to the public and a course offering academic credit to Stanford students (ARTH208C/408C, cross-listed with Classics, Music, Religious Studies, and CREEES), this year-long seminar explores the creation and operations of sacred space in Byzantium by focusing on the intersection of architecture, acoustics, music, and ritual. The goal is to develop a new interpretive framework for the study of aural architecture and religious experience. Leading scholars from the US and abroad will present their current research and lead the discussion.
Format
Discussion will center on pre-circulated papers posted on this website before the individual sessions. These readings will explore the relationship between sound and space by integrating the humanities with exact sciences. Topics rage from architectural design and materials, Byzantine musicology, psalmody, medieval music notation, reconstructions of ritual and modern performance to the science of acoustics, computer modeling, and auralizations.
Meetings are scheduled on select Mondays in Cummings Art Building, room 103. Light fare will be served.
FACULTY COORDINATOR
Bissera V. Pentcheva
Department of Art & Art History
This seminar stems from the collaborative research project “Icons of Sound” that I co-direct, for more information, visit:
Sponsors
The University Seminars Program of the Onassis Foundation (USA)
Department of Art and Art History
Center for Russian, East European and Eurasian Studies
Stanford Global Studies Division